The tunic shows Koenig and Helena cowering -based on year 2 publicity photo- with Moon behind. Costume is identical to Koenig, except in yellow and black with a blue background.Ĭommander Koenig. Artwork is Helena cowering to Koenig, based on Gray Morrow's cover for Charlton magazine number 1 red and black printed on yellow background. The character was identified on the label attached to the bottom of the box.Ĭommander Koenig. The Space 1999 logo was a piece of paper stuck at the top of the box. The first Koenig and Helena are 1975 the second Koenig and Maya are obviously 1976, although the copyright date is still 1975.īox (22 x 28 x 8 cm) is a standard Halloween costume box the second two included art of owl and cat below a display window. The two 'Commander Koenig' masks are astronaut helmets Helena and Maya masks have the distinctive hairstyles. A plastic mask, and plastic suit with artwork. Required by the channel creates its own unique challenge.Four different Halloween costumes. Shot edits may not need much editorial input beyond picking the best take, butĪctually finding footage that works both to the creative brief and fulfils the timings

Was fantastic to work on a project directed by him. This meantĪuthenticity was at the forefront of my mind.'Īdam Rudd, Editor at Final Cut added, 'I'm a huge fan of Martin's photography so it You don’t have to watch the channel for long before you see one of these identsĪnd it’s then you realise how far reaching they are to so many people. The correct birdsong corresponding to the correct time of day was used for the specific locationsĪround the British Isles, (allegedly one of the beebs bigger gripes is when the wrongīird is singing!). 'For a number of the idents I spent some time finding my ‘inner twitcher’ ensuring The production audio wasn’t always usable, therefore hugeĪttention was given to the smallest of details, to ensure the realism and integrity of I have always admired Martin’s style for its realism and truth. Patch Rowland, Head of Audio, said, 'It was great to be involved with the music & To work with Final Cut Sound on the composition and sound design.

Through to an energetic exercise class from Bristol.īBC Creative worked with Final Cut to create the offline edit, and then continued The portraits feature sea swimmers from Clevedon Directed by Matrin Parr, the groups are chosen to reflect theĭiversity of modern Britain and the changing mood of the nation through significant Various groups of people coming together across the UK united by their shared One’s idents for 2017, replacing the previous clips, which have been on the channelįollowing the theme of ‘Oneness’ the first ident, ‘Swimmers’ aired on New Year’sĭay, with more idents planned to appear throughout 2017. BBC Creative has turned to renowned photographer Martin Parr to create BBC

Martin mpc patch